Radio FIP rules

One of the best things about the modern holiday is disconnection. Many of us spend our work days and nights tethered one way or another. So the holiday provides us with an old-fashioned life: we cook with gas, we suffer the small refrigerator (we still waste food, weirdly), we get our news from the papers or the radio, like in olden days.

This summer we spent a week in Brittany in July and a fortnight in Menorca in August. Neither house has television or internet.

The area around Josselin in Brittany is perfect for lazy cycling: the Nantes-Brest canal has lovely towpaths: I saw an otter on one bike ride, and only about two metres away too. We stayed in a village in the middle of nowhere, without street lights or other light pollution sources. We had two cloudless nights and had as good a view of the Milky Way as we’d had in ages. Loads of shooting stars too.

The three of us sat in the car bound for La Rochelle, but still in Brittany. Our car has a cassette deck for which we have a flimsy shop-bought device that also plugs into an iPod. Said device (the 4th we’ve bought) failed as soon as we departed. What this meant is that we discovered FIP radio. A radio station that plays Bach, then Gillespie, then JAE, then some country, then some funky shit, then tons more jazz. It took me hours back home to work out what station we’d been listening to.

FIP was a revelation. It still is. I know that tons of other people knew about it (particularly in Brighton) and this might seem like saying “I’ve discovered that I like air!”. Like it ought to, FIP provides good archives of its playlist. Which is mostly great. I’m working on having the station play permanently on this site. I think it’s only fair that I inflict this on as many people as possible.

In Menorca, we connected an Android phone to some speakers we bought and listened to FIP online. I listened to the World Service as I read my le Carré. We also listened to some Miles Davis and Charlie Parker. I like jazz, but don’t really know enough about it. I always love Coltrane, Davis, Bird, Ornette, and I adore the old-timey stuff you can find on Spotify.

We also listened to a fair bit of Magnetic Fields, tons of Talking Heads, and the odd Stones or Royal Trux song when in need of rock.

Linksplash

Some of the stuff I’ve been reading/doing recently:

Article is all wrong” – the Vietnam War remains a controversial topic for some, as this Wikipedia discussion illustrates

Babylon Falling – 60s counterculture, 90s hiphop, underground press – one of the best Tumblr sites I’ve seen in ages

Diaspora – this is the new Facebook, so they say. It’s early days, and I have no friends on there, but it has potential

A Visit From The Goon Squad – Pulitzer prizewinner, entertaining novel by Jennifer Egan. It’s about punk and time

Iran And The Bomb – by Seymour Hersh. The real enemy is Saudi Arabia

Menorca apartment reviews – summer vacation beckons

Osama bin Laden and the power of nightmares

A couple of days ago, I read what in retrospect was a fortuitously timed article on CNN.com. After detailing Osama bin Laden’s escape from Tora Bora, Tim Lister ended by noting that OBL probably wasn’t hiding in the ‘tribal’ area on the Afghanistan-Pakistan border at all. He reckoned that the fugitive might be holed-up in the wilds of Kunar, a remote zone that includes places where “no man has set foot”. Lister was, as we know today, only half right. Osama bin Laden was actually hiding near Islamabad in what seems to have been relative comfort. He was shot dead last night by US special forces.

So the era of bin Laden at #1 on the FBI’s most wanted list (he was already there when the September 11th 2001 attacks happened), is over. I can’t help but feel that it makes little difference now. Because America has already accepted mortal head wounds as ‘justice’, permanent internment camps as ‘security’, and permanent war as normality.

Adam Curtis’s film “The Power of Nightmares” dealt with the twin forces of militant Islamism and neo-conservatism that ended up shaping much of the current geopolitical landscape. Together (and they must always be taken together, for they needed each other desperately), they succeeded in causing probably over a million deaths, most of which occurred in the middle-east. If you haven’t seen it yet, I recommend that you try to get hold of a copy. UPDATE: As Erik points out in the comments below, the film is available to watch or download for free at the Internet Archive.

If all this is making you nostalgic for the days of “Get this!” Iberian Notes, check out this online novel which features a familiar-sounding character. It’s eerie.

More national policy soon. Until then, sleep well: they haven’t invented their new nightmare yet.

Our trip to Sierra Leone (part 2: Bureh and Lumley)

Note: I feel that I should point out that we were only in Sierra Leone for 9 days, and spent all of our time on the Freetown peninsula. Naturally, I could never claim to be an expert on the place after such a brief and limited visit. But I hope that my impressions might count for something, especially for anyone who’s never had the chance to visit.

(Part 1 here)

We arrived at about 4am on a Royal Air Maroc flight from Casablanca that stopped in Monrovia, Liberia, on the way. Royal Air Maroc was fine, far better than I imagined it would be based on people’s internet reviews. I can only imagine it has improved greatly in recent months, or else people who write internet reviews expect a homogenous travel experience wherever they go in the world. Lungi airport, as I mentioned, can be quite a daunting experience. Our friend met us at the Pelican water taxi dock (Lungi is on the ‘wrong’ side of a large inlet, so to reach Freetown, a water crossing by boat or helicopter is essential), and drove us to his house, located in the hills above the city. After a few hours catch-up sleep, we had lunch (rotisserie chicken from the Lebanese-owned St Mary’s supermarket), drove around a bit and then headed to Roy’s bar on Lumley Beach for some drinks. We met plenty of people at Roy’s, organised dinner, went to a party at the UN, and before I knew it, we were dancing to a mixture of local and Lebanese pop at Atlantic nightclub, with the sound of waves breaking on the beach in the background.

After breakfast at Bliss bakery (the best bakery in town, and producers of as good an omelette as you’ll find anywhere), we went on one of our two main trips out of the city. Bureh beach, an hour or so out of town via the mountain road, is simply an idyllic spot. Kilometres of sand so fine, it squeaks with every footstep, lined with coconut palms, and without a single built structure in sight. I often say I don’t really like the beach. But if it’s Bureh, I’d go any time. There, we met Michael, a local entrepreneur trying to develop some sustainable tourism in the area. He set us up with an open hut and a camp fire, cooked us some fresh lobster and manfully shared a glass or two of scotch as night set in. Before the scotch, we had a night swim and enjoyed the ever-captivating sight of phosphorescent plankton sparkling in the water as we swam.

Bureh, simply enough, is one of the most beautiful places I’ve ever been. I think Gemma enjoyed celebrating her birthday there. I just hope we can visit again soon, and that as development increases (which it must, one way or another), Bureh’s natural beauty isn’t blighted by massive resorts. Of course, there is room (and indeed, a need) for some of that kind of tourism in Sierra Leone but one would hope that the lessons of other countries’ experiences might make the SL government more cautious than they were.

We took the coastal route back to Freetown and relaxed at home that evening, playing Pass the Pigs, Settlers of Catan and Trivial Pursuit. Wild times.

Next day, after a slow start, catching up on developments in the Middle East on Al Jazeera, Gemma and I ventured forth into Freetown on our own for the first time. Walking from our friend’s house down Spur Road to Lumley and up Lumley Beach to Roy’s bar again. Well, we were thirsty by then. The walk only took an hour but it was pretty hot and dusty. Pretty much every taxi and poda poda (shared minibus taxi) that went past beeped its horn at us, seemingly incredulous that we’d want to walk in the sun.

Many of the main roads in Freetown are currently undergoing major widening work, resulting in much demolition. Walls throughout the city are marked with indications like “10m back”, meaning that the road will expand 10m further, often through the middle of a house or compound. We were told that several people have died trying to salvage property from demolished houses. It is not just private residences that are affected, though. Even the headquarters of the armed forces (RSLAF) has had its entrance partially demolished. Government officials plan to have the road-widening project complete in time for this year’s independence celebrations which will mark 50 years since the end of British colonial rule. Locals seem uncertain as to whether the project will be completed on time, even though crews are often working through the night. The most important target is to get work completed before the rainy season starts (which more-or-less coincides with the independence celebrations in April anyhow). We were told that negotiations are still taking place over some stretches of road, but I got the impression that the bulldozers won’t wait.

Lumley beach is yet another beautiful stretch of sand which extends north to the cape, where several hotels, casinos and nightclubs are located. The beach used to have lots of bars and restaurants on it, but many were demolished as part of the roads project. A few have sprung up again recently, and the one seemingly en vogue at the moment is Roy’s. A cold Heineken (the local beer, Star, isn’t great) and a cooling sea breeze went down a treat after our walk.

Flickr set here.

Primavera Sound 2011 Lineup

Primavera Sound, my favourite festival in the world, takes place between the 25th and the 29th of May this year. We’ll be there, with our Ray Bans and our camera. See you on the grassy bit?

Lineup 2011 (my picks in bold):

Aias (SPA)

Ainara LeGardon (SPA)

Animal Collective (US)

Ariel Pink’s Haunted Graffiti (US)

Arto Lindsay (US)

Autolux (US)

Avi Buffalo (US)

Baths (US)

Battles (US)

Belle & Sebastian (UK)

Berlinetta (SPA)

Big Boi (US)

Blank Dogs (US)

BMX Bandits (UK)

Caribou (CAN)

Carte Blanche (FRA)

Caspa (UK)

Cloud Nothings (US)

Comet Gain (UK)

Connan Mockasin (NZL)

Cults (US)

Cuzo + Damo Suzuki (SPA/JAP)

Dan Melchior und Das Menace (UK)

Darkstar (UK)

Das Racist (US)

Deakin (US)

Dean Wareham plays Galaxie 500 (NZL)

Del Rey (US)

DJ Shadow (US)

DM Stith (US)

Ducktails (US)

Dúo Cobra (SPA)

Echo & The Bunnymen performing Heaven Up Here & Crocodiles (UK)

Einstürzende Neubauten (GER)

El Guincho (SPA)

El Mató A Un Policía Motorizado (ARG)

Emeralds (US)

Explosions In the Sky (US)

Factory Floor (UK)

Field Music (UK)

Fleet Foxes (US)

Ford & Lopatin (US)

Gang Gang Dance (US)

Girl Talk (US)

Glasser (US)

Glenn Branca Ensemble (US)

Gold Panda (UK)

Gonjasufi (US)

Grinderman (UK)

Half Japanese (US)

Holy Ghost! (US)

Incarnations (US)

Interpol (US)

Islet (UK)

James Blake (UK)

Jamie XX (UK)

John Cale & Band + BCN216 perform PARIS 1919 (UK)

John Talabot (SPA)

Julia Kent (CAN)

Julian Lynch (US)

Kode9 And The Space Ape + Kode9 Burial Set (UK)

Kokoshca (SPA)

Kurt Vile & The Violators (US)

La Célula Durmiente (SPA)

Las Robertas (CRC)

Les Aus (SPA)

Lichens (US)

Lindstrom (NOR)

Low (US)

Lüger (SPA)

M. Ward (US)

Male Bonding (UK)

Matthew Dear Live (US)

Me And The Bees (SPA)

Mercury Rev perform Deserter’s Songs (US)

Mogwai (UK)

Money Mark (US)

My Teenage Stride (US)

Nisennenmondai (JAP)

Nosoträsh “Popemas” (SPA)

Odd Future (US)

Of Montreal (US)

Oneohtrix Point Never (US)

Ornamento Y Delito (SPA)

P.I.L. (Public Image Limited) (UK)

Papas Fritas (US)

Pere Ubu plays “The Annotated Modern Dance” (US)

Perfume Genius (US)

Phosphorescent (US)

Pissed Jeans (US)

PJ Harvey (UK)

Pulp (UK)

Rubik (FIN)

Salem (US)

Seefeel (UK)

Shellac (US)

Simian Mobile Disco (UK)

Sonny & The Sunsets (US)

Sufjan Stevens (US)

Suicide (US)

Suuns (CAN)

Swans (US)

Tennis (US)

The Album Leaf (US)

The Annuals (US)

The Black Angels (US)

The Fiery Furnaces (US)

The Flaming Lips (US)

The Fresh & Onlys (US)

The Jon Spencer Blues Explosion (US)

The Monochrome Set (UK)

The National (US)

The Soft Moon (US)

The Suicide Of Western Culture (SPA)

The Tallest Man On Earth (SWE)

The Vaccines (UK)

The Walkmen (US)

Thelematicos (SPA)

Toundra (SPA)

Triángulo De Amor Bizarro (SPA)

tUnE-yArDs (US)

Twin Shadow (US)

Ty Segall (US)

Warpaint (US)

Wolf People (UK)

Yuck (UK)

Our trip to Sierra Leone (part 1)

Note: I feel that I should point out that we were only in Sierra Leone for 9 days, and spent all of our time on the Freetown peninsula. Naturally, I could never claim to be an expert on the place after such a brief and limited visit. But I hope that my impressions might count for something, especially for anyone who’s never had the chance to visit.

Visiting Sierra Leone

Despite its stunning natural beauty, Sierra Leone doesn’t seem to strike people as the perfect holiday destination. Mention the West African state’s name to anyone here at home (and we did, ad nauseam, until we left), and they’ll generally respond with vague knowledge of war, bloodshed, diamonds, cocaine and guns. This is understandable because Sierra Leone isn’t generally mentioned in the media in Europe except in those terms. Films like Blood Diamond and Lord Of War, the only recent Hollywood depictions of the country, help to promote this view. But that was then. The civil war officially ended 9 years ago and ever since, Sierra Leone has been putting itself back together.

But at the same time, people are sort-of right: Sierra Leone is not a perfect holiday destination. We were lucky enough to be visiting a friend who works for a foreign agency in the country. Pretty much all the non-local people we met work in similar jobs, for various NGOs or for the UN. The rest were visiting friends who worked there, or were returning for a holiday having already spent time working for an aid agency. As I understand it, very few ‘complete’ tourists (that is, people with no-one to show them around/provide accommodation) ever seem to make the journey. And to be honest, I struggle to recommend such a visit at the moment, unless it’s done through the TribeWanted eco tourism project.

Sierra Leone, you see, doesn’t just lack tourist infrastructure. It lacks infrastructure. There are relatively few major metalled roads in the capital, Freetown, and only a handful outside, making travel in 4×4 practically essential. Lungi airport, the only realistic way of arriving in the country, is the most basic international airport I’ve ever used (it apparently has no computers, so check in when you leave is an entirely manual pen and paper task). There are relatively few shops, so visitors and ex-pats tend to rely on a handful of expensive supermarkets and the market area in town, where availability of goods can never be guaranteed. There are hotels, but some of them are, according to what I’ve been told, pretty dodgy.

All that said, Sierra Leone is a beautiful, enchanting and wonderful country. The beaches and forests of the Freetown peninsula are about as gorgeous as you’ll find anywhere in the world. Freetown itself, for all the dust, is a great city: full of movement, work, fun and music. The Sierra Leonean people we met were quietly confident about the future of their wonderful country and far more open to talking about local issues and their aspirations than people in many other countries I’ve visited. The restaurant business seems to be picking up, and while I need to return to try more of the local food, visitors can eat well in plenty of locations in Freetown.

Next part: Bureh & Lumley. You can see our Flickr set of our visit here.

3 Albums from 2010 that I’ve really enjoyed

MGMT – Congratulations


Following their hit debut, Oracular Spectacular, was always going to be difficult. And lots of people seemed to find Congratulations a let down. True, it’s lighter on obvious hits than the last disc. But this album makes up for that by being an unabashed bit of hero worship. Every song is packed with musical and lyrical references to MGMT’s influences, sometimes making it seem more like a covers album than anything else. But the more subdued songwriting and an over all more melancholy sound (notwithstanding some outstanding chorus explosions) led me to love Congratulations even more than Oracular Spectacular. And live, it was even better.

Janelle Monáe – The ArchAndroid (Suites II and III)


Janelle Monáe is really cool. Originally given the nod by Sean Combs because her MySpace videos showed no flesh, and because she ‘sounded different’, her music is a combination of soul, funk and hip-hop and it’s 100% pop. She might be the new David Bowie. The ArchAndroid (Suites II and III) is effectively two EPs on one album, both smoothly combined as single compostions and packing an incredible number of great tunes, inventive rhythms and intriguing android-themed lyrics. The album is produced by Big Boi and there is definitely a pretty clear Outkast influence on its sound… with is always a good thing. She’s playing live in Barcelona next February.

Wavves – King of the Beach


I don’t know much about these guys but I gather they’ve divided opinion among their target hipster audience. King of the Beach is just a great collection of surf rock songs played in a psychedelic mode. The album is essentially about being a lazy bum who smokes weed at the beach all summer. If that sounds obnoxious and sad, you won’t like this album. If, on the other hand, you think it reminds you of good times, and you like the idea of Beach Boys riffs played at quadruple speed with a ton of fuzz, you will like this album. The band is constantly shedding members (they had a disastrous on-stage meltdown in Barcelona in 2009), so I’ve no idea what they sound like currently. Either way, the record is cool. I might sneak a few tracks onto the New Year’s Eve playlist.

My unifying theory of comedy

Comedy is probably my most dominating vice, more alluring to me than women or wine. And, much as I’ve studied the finer qualities of those other two, I feel – well, it’s sort of an obligation – I need to watch and to criticise and assess and ponder comedy every single day.

I once went to see Russ Abbot in London. I suppose that he, the Two Ronnies and Blackadder had a fundamental influence on what I find to be funny. Later, the Fast Show and Alan Partridge ruled my jokesphere. But it was in the discovery of late-night reruns of the Larry Sanders Show and Seinfeld that my comedy addiction finally found a home.

And Seinfeld led me to Curb Your Enthusiasm, naturally. That these two shows, born of the genius of Brooklyn-raised Larry David, are among the most celebrated TV shows ever is no surprise to me. I’ve always loved the New York fast-talkin’, wise-ass schtick that Woody Allen used in Annie Hall. But Curb taught me something else: the secret of great comedy.

And this is my theory.

Essentially, great comedy is made through a counterpoint of your lies and the lies of those you interact with. Pathos is important, at times, but the key is the manipulation of people and their manipulation of you. In other words, society and life are the comedy.

Now, I’m aware that this sort of thinking is pretty facile. I don’t claim this as ‘original thought’. But I’ve come to it all on my own, and now I feel the world needs to share it with me.

Oh, and Curb Your Enthusiasm Season 5 Episode 10 is the finest piece of comedy I’ve ever seen. It’s perfect. It deals with identity, mortality, selfishness and selflessness in a way that no movie ever could. Also the time-travel episode in the new Futurama season is pretty good. Pretty. Pretty. Pretty Good.

Some Saturday Blues For Youse

I’ve been listening to a fair bit of Leadbelly and some other blues root stuff recently. I love rock and roll music and, given that much of it is simply reworked from the delta classics, I love this stuff too. Midnight Special in particular seems startlingly ahead of its time.

[youtube]http://www.youtube.com/watch?v=tXhBVjoPvh0[/youtube]

Rock Island Line contains some striking rhythmic devices, as well as including many themes later found in rock and roll.

[youtube]http://www.youtube.com/watch?v=7iJEVOUqepo[/youtube]

For guitar, I’m learning that Mississippi John Hurt is basically all you need to hear

[youtube]http://www.youtube.com/watch?v=RFW76et1GY8[/youtube]

From a different genre, Rebirth Jazz Band of New Orleans provide the music that opens the TV show Treme’s first episode. I Feel Like Funkin’ It Up should get anyone dancing

[youtube]http://www.youtube.com/watch?v=DH6RyEaVIOo[/youtube]